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2007 Courses:
Drawing and Design for the Longrifle —Gary Brumfield
(3-day class)
This will be a hands-on drawing class with the goal of helping all the students,
even those who say they can not draw, improve their design work. This class will
focus on learning to create Baroque and Rococo designs like those typically
found in longrifle decoration. The class will not be school specific, but
general in the study and drawing of eighteenth-century designs for carving,
engraving, and patchboxes. As a bonus Mark Silver will present a session on
18th-century lettering on Saturday morning.
This class will provide excellent preparation for those taking the engraving or
carving class. Class size will be limited to 16.
Materials fee: None. Bring a notebook, sketchbook, several pencils, and a good
eraser.
Engraving — Beginning and Intermediate — Mark Silver
(6-day class)
This course is meant for the student with little or no engraving experience who
wants to improve their understanding of and ability to execute, the styles of
engraving used on American longrifles and fowlers. It is also for those who have
already had at least one course in engraving and wish to work with British or
continental styles.
The class will explore the elements used on patchboxes, side plates and mounts,
including types of borders, scrolls, volutes, and leafage. Most of the class
time will be spent in intensive practice repeating the basic elements of these
types of engraving. Intermediate students will be introduced to and practice
lettering of various styles, and the engraving forms found on sporting arms from
Britain and Europe, including, if they wish, relief chiseling of sculpted
foliage and borders. Class limited to eight.
Materials fee: Approximately $25
Forging Mounts and Stocking the Southern Mountain Rifle — Hershel & John
House (9-day class)
This hands-on class will begin on Wednesday at Hershel’s shop (10 miles from
Bowling Green) where several forges will be set up. Forge and file the correct
iron butt plate, trigger guard, etc. for the style of southern mountain rifle
you will build. Blacksmithing experience is not required. The mount-making
portion of the class will end about mid-day on Saturday.
On Sunday morning the class will resume at W.K.U. where students will begin
stocking the rifle. Variations include: Appalachian, East Tenn., North Carolina,
Southwestern Virginia, and early Virginia styles — flint or percussion, straight
or swamped barrel, stock of maple or walnut. With the desire to send the student
home with as close to a complete rifle as possible, Hershel and John teach their
efficient workman like methods to show how to attain a quality product with a
minimum of tools. Barrel will be pre-inlet and the ramrod hole drilled. Class
limited to eight.
Materials fee: Approximately $500 depending on the student’s choices.
Modifying and Tuning the Flintlock — Jim Chambers
(6-day class)
Students in this class will start with one of his "Generic" lock kits, the one
with the square plate, and go completely through the assembly process, then move
on the fine tuning both the form and function of the lock. A lot of the quality
can be built in during the basic assembly process if the correct drills,
reamers, etc. are used. Some students may also want to modify the lock to be
more appropriate for a particular gun they plan to build. The materials fee will
cover both the lock parts and a proper set of drills, taps and reamers. Class
limited to eight.
Material fee: Approximately $90.
Patch Boxes — Jack Brooks
(9-day class)
New for 2007! This class will cover both wood and metal patchboxes in depth. The
first three days will focus on the wood box. Jack will bring an antique example
and each student will make and install a wood lid box and catch in either a
rifle or “Quaker” practice stock. The next six days will be devoted to the study
of the metal boxes and their various catches, releases and kick open springs.
Jack will bring several examples of antiques. Each student will chose a regional
style, then make and install a metal box and release/catch mechanism. Students
in this class will need to talk with Jack about their options for the stocks —
Quaker practice stocks or actual rifles.
Materials fee: Approximately $25 in addition to stocks.
Period Architecture and Stock Shaping — Wallace Gusler
(9-day class)
New for 2007! One of the most difficult features of an early longrifle to
capture is the architecture. Starting with a stock blank and pre-inlet tapered
and flared barrel, and using the original Moravian rifle number 42 from George
Shumway’s Rifles of Colonial America, Volume I as a prototype, students will
learn both the techniques of stock shaping and the subtle characteristics of
early rifle architecture that are so hard to see in photographs.
Materials will include a barrel, custom made by Ed Rayl to the dimensions of the
original, a maple blank, and castings of the butt piece and guard based on the
originals.
Materials fee: Approximately $420-$500 depending on wood selected.
Powder Horns and Flasks — Ron Ehlert [After Ron's death in the spring it was
decided that two of his students, Joe Valentin and Bob Elka, would teach
this class.]
(9-day class)
New for 2007! Students in this class will be able chose, through discussion with
the instructor, from a wide variety of projects ranging in complexity from a
French and Indian War period powder horn, or a flattened pocket horn, to an
elaborate carved flask in stag horn, wood, or ivory. Two examples of Ron’s work
in this field are pictured in Three Centuries of Tradition; The Renaissance of
Custom Sporting Arms in America [Minneapolis Institute of Art, 2003]. Class
usually limited to eight.
Materials fee will depend on the project(s) selected.
Relief Carving —Gary Brumfield
(6-day class)
Learn to carve by working on a machine shaped longrifle butt stock that will go
home with you as study piece and reference. (Because the students will be
experimenting with various tools and methods they will not be allowed to work on
an actual rifle.) Pick any style of carving. Topics covered will include
selecting and sharpening tools, various methods of backgrounding and sculpting,
etc. Although beginners are welcome, this class in traditional carving
techniques best serves those who have some experience in wood working. Class
limited to eight.
Material fee: Approximately $100 which includes practice stock.
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MORE PHOTOS
Whenever weather permits, the Saturday afternoon of the nine day
seminar becomes a time to relax with an informal shoot and picnic where
students and instructors share two common interests, shooting and
eating, and get to know each other.
Brent deciding on which iron target to shoot
Joe takes aim
Hank instructs fellow students in how to shoot the
reproduction air rifle he made.
Pat and Jim watch folks shooting the reproduction air rifle
Tony and Jack hang out at the back of Jack's truck. Jack brought the
targets and set up the range in the river bottom behind Dr. Leeper's
house.
Wallace Gusler decked out in his Virginia frontier garb. Note the red
handled scalping knife, recently acquired as part of Wallace's ongoing
research on what frontier gear was really like. Thousands of knives like
this one were imported for sale to whites and trade to Indians.
Jim Wright of Pioneer Video took this picture of me as practice for
taking the group picture
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Students in the Drawing and Design class concentrate on their work.
This three-day class was taught in one of the new classrooms with dual
screen video projection and comfortable chairs.
Tim Cornick took Wallace's class on
Period Architecture and Stock Shaping.
This is Tim's interpretation of the Moravian rifle known simply as #42
because of it's listing in George Shumway's Rifles of Colonial
America.
(top) Students and their work from the
Powder Horn and Flask Class
Joe and Bob flank the ten students in the horn and flash class
originally offered by Ron Ehlert
Collin
Ed
Gary
Hank
Hollis
John
Pat
Peter from England
Peter
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